Baroque Vocal Music

Published by Baroque Singers on

While forms in earlier eras continued to be utilized, like the motet or special dances, the interest in music as a kind of rhetoric triggered the development of genres, especially in the region of vocal music. A lot of the forms linked to The Baroque era come directly out of the new impulse, especially opera, the oratorio and the cantata. At the realm of instrumental music, the notion of comparison and the desire to create large scale forms gave rise to the concerto, sonata and package.

Vocal music

Opera: A drama that’s sung, accompanied by tools, and presented on point. Operas usually alternate between recitative, language such as song that advances the plot, and arias, songs wherein characters express emotions at specific points in the action. Dances and choruses are also frequently included. The advent of the genre in the turn of the seventeenth century is associated with the actions of a bunch of poets, musicians and scholars at Florence is known today as the Florentine Camerata.

The first opera was Jacopo Peri’s Dafne, according to a libretto by Ottavio Rinuccini and played In 1598, the first opera still performed today is Claudio Monteverdi’s Orfeo. The topics of the first operas are taken from myth, representing the genre close alliances with efforts to recreate the music and drama of ancient civilizations, and were played only in aristocratic groups for guests.

Oratorio: an expanded musical drama with text based on a religious subject intended for functionality without costume, scenery or action. Oratorio intended prayer hall, a building situated adjacent to a church which was designed as a place for spiritual experiences different from the liturgy.

Even though there are precedents of the end of the 16th century for the oratorio from the motet and madrigal repertoire, the oratorio as a different musical genre emerged amidst the outstanding acoustics of those spaces at the early 1600 s. By the center of the seventeenth century, oratorios were played in palaces and public theatres and were growing increasingly comparable to operas, even though the subject, the division into two parts and lack of action set it apart. The oratorio grew in popularity in others portions of Europe as well.

Cantata: an extended bit consisting of a sequence of recitatives and set pieces like arias, duets and choruses. Originating in ancient seventeenth century Italy, the cantata started as a royal composed work for solo voice and basso continuo, probably intended at social gatherings. Some of those works were published, suggesting they were played by professional musicians alike. By the center of the century cantatas were published less often, suggesting that performances were increasingly being performed by professionals. By the end of the seventeenth century, cantatas began integrating the da capo aria and frequently had orchestral accompaniments. Bach’s numerous cantatas show the wide ranging influence of their Italians counterparts.

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